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Monthly archives
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Seed Collective, SEED
Posted by cp
Posted in: artists / practitioners
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November 2009
Preemptive Media, AIR
http://www.pm-air.net/events.php
Posted by cp
Posted in: artists / practitioners
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November 2009
Annina Rüst, eRiceCooker
http://web.media.mit.edu/~rusti/eRiceCooker/index.html
Posted by cp
Posted in: artists / practitioners
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November 2009
Brooke Singer, Superfund365, A Site-A-Day
Posted by cp
Posted in: artists / practitioners
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November 2009
“Nature as Origin and Difference” by Steven Vogel
“Humans are always already entangled in the natural… while we are doubtless nature’s product at the same time nature is always already out product too.”

Posted by lcn
Posted in: everything wild
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January 2009
From Counterculture to Cyberculture by Fred Turner
“Over time, the [Whole Earth] network’s members and forums helped redefine the microcomputer as a ‘personal’ machine, computer communication networks as ‘virtual communities,’ and cyberspace itself as the digital equivalent of the western landscape into which so many communards set forth in the late 1960s, the ‘electronic frontier.’” (6)

Posted by lcn
Posted in: cyborgs
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January 2009
Félix Guattari’s Three Ecologies

“Now more than ever, nature cannot be separated from culture… Just as monstrous and mutant algae invade the lagoon of Venice, so our television screens are populated, saturated, by degenerate images and statements.”
Posted by lcn
Posted in: everything wild
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November 2008
Marshal McLuhan

“What would happen if art were suddenly seen for what it is, namely, exact information of how to rearrange one’s psyche in order to anticipate the next blow from our own extended faculties?”
Posted by lcn
Posted in: art history
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September 2008
Marshall Berman, All that is Solid Melts into AIr

“To be modern is to be part of a universe in which, as Marx said, ‘all that is solid melts into air’… To be modern is to live a life of paradox and contradiction. It is to be overpowered by the immense bureaucratic organizations that have the power to control and often to destroy all communities, values, lives; and yet to be undeterred in our determination to face these forces, to fight to change their world and make it our own. It is to be both revolutionary and conservative: alive to new possibilities for experience and adventure, frightened by the nihilistic depths to which so many modern adventures lead, longing to create and to hold on to something real even as everything melts.” (13-14)
“I define modernism as any attempt by modern men and women to become subjects as well as objects of modernization, to get a grip on the modern world and make themselves at home in it.” (5-6)
Posted by lcn
Posted in: modernism modernity
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September 2008
Hugo Ball, “Dada Fragments”
“The Dadaist trusts more in the sincerity of events than in the wit of persons. To him persons may be had cheaply, his own person not excepted. He no longer believes in the comprehension of things from one point of departure, but is nevertheless convinced of the union of all things, of totality, to such an extent that he suffers from dissonances to the point of self-dissolution…”
Posted by lcn
Posted in: art history
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September 2008



